Founded by French-Australian director Angélique Georges, Eglantine is a New York-based, woman-owned creative studio whose work is guided by a single conviction: putting the human back in the picture. We make work that bears the mark of real hands, real stories and a real point of view.

The Eglantine approach merges the handmade with the digital: traditional set design, prop styling, and practical elements combined with precise VFX and motion graphics to produce images that feel simultaneously crafted and alive. Whether working alone in the home studio, stealing shots on the street as the light fades, or leading a full crew on a large production, what stays constant is a commitment to work that is conceived, built, and shot with genuine intention.

Putting the human back in the picture isn’t just a philosophy. It’s visible in every frame we make.

I’m a Brooklyn-based director who spent years making other people’s visions look extraordinary: title sequences, motion graphics, commercial campaigns, you name it. I’ve worked with industry titans like Netflix, Amazon Studios, HBO, Peacock, Apple TV and Disney to name a few, and in 2017, I picked up an Emmy for Main Title and Graphic Design for my work on the PBS series In The Mind of a Chef.

Now, by day I’m capturing images in tabletop setups out of my Williamsburg studio; by night I’m editing those images and developing The Device; a darkly humorous feminist body horror film set in the gritty underbelly of my own neighborhood. I make work that embraces the messy nuances of human nature, and I’m just getting started.

When I’m not behind the camera, I’m probably at the barre; you can find me teaching classes at The Bar Method Williamsburg where I love to channel my creative energy into personal engagement and movement.

I’m available for commercial and independent film projects. If something here resonates, I’d love to hear from you.